Music tradition, entertainment going strong

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For the past 51 years the

Culver City Symphony Orchestra

has been bringing classical

music to its residents and neighboring

communities.

“It has been a great place

for me to learn music and meet

other musicians,” President/

Executive Director of the Culver

City Symphony Orchestra Matthew

Hetz said. “I was invited to

the board of directors and later

became the president but I still

play in the orchestra.”

Hetz, a violinist who had been

with the orchestra for 25 years

and is in his ninth year as president,

began his music career at

the age of 23. Being part of the

orchestra has allowed him to

remain engaged with what he is

passionate about: music.

“I enjoy running the orchestra

and for me it also is about

the classical music,” Hetz said.

“Classical music is really low

on the radar in society. When I

first started, people who are now

deceased or in their 70s and 80s,

grew up in a different culture

where classical music was just

part of life.”

Unlike today’s music generation

where smart phones, tablets

and laptops provide for the music

desires of individuals, classical

music has taken a backseat as an

entertainment option with much

of the youth.

“You would see it (classical

music) on major networks; they

had classical music on all the

time,” Hetz said. “There was

more music education in schools

so people knew about classical

music but all that is now gone.”

Despite the difficulties

involved with running the

orchestra, from outside and

within the group, Hetz takes on

the challenges head on to ensure

that the music does not disappear.

Transitioning from musician

to president was no easy

task but it’s been nine years and

the orchestra continues going

strong.

“I need to make sure that

everything is working; I have

to make sure that we have

rehearsal space and that we

have somewhere to put up to

60 people in a room,” Hetz said.

That includes musical stands

and chairs. I have to make sure

people are on time and that we

raise money. So my involvement

changed dramatically because as

a musician you walk in, you play,

and you can leave.”

Getting the word out about

the orchestra is a challenge

on its own and includes tasks

such as: going to schools, letting

people know through word

of mouth, via local newspapers,

sending press releases about

concerts and even speaking

during city council meetings or

during a chamber of commerce

event.

“The strangest and the hardest

is that after 15 years people

still come to me and say, ‘I did

not know there was an orchestra

in Culver City,’” Hetz said. “We

also play in Marina Del Rey but

we change names but it is the

same orchestra, the same conductor,

the same board and so

forth. We play as the Marina Del

Rey Summer Symphony and that

is funded by the L.A. County and

Supervisor Don Knabe’s office.”

Orchestra members range

in age and they all bring a level

of quality music and ability that

contributes to the orchestra’s

reputation. In order to play for

the orchestra, the orchestra

manager must be contacted

in order to determine the possibility

of an audition. Once in

the orchestra, for each concert

there are three rehearsals, each

rehearsal lasting about two-anda-

half hours.

“Music my play has improved

and from that regard it (playing)

is easier but once you get

to a certain level, there is always

something else,” Hetz said. “You

are always searching and musicians

are always asking each

other how to play something

or to try something a little different.

It is always fascinating

because you are always searching.

Musicians are always looking

to do something different

and something new: it’s about

new horizons.”

Hetz believes that the music

experience is not just for the

musician but also for the audience,

which over the years has

changed.

“You have to go into a new

world where you just sit, turn off

your cellphones and that in itself

is difficult for younger people,”

Hetz said. “It is not a visual event

but it is about keeping an open

mind. Don’t expect to know

everything with one concert but

don’t be intimidated. If you don’t

know something; just ask. I try

to have program notes about

the work but also about the

composures.

“There is all this brain science

that music is innate: there is hunger,

language, sex and music and

we are wired for music,” Hetz

said. “You see a lot of senior citizen

at concerts because they are

being stimulated so they don’t

have to change. It is a different

experience. Do not worry if you

come in and your mind wanders.

It is a lot of music to take in at

once but do not be intimidated.”